New in our collection

The K&M 21435 is a black steel tripod stand for loudspeakers with a compatible 35 mm stand socket. Height adjusts from 1440 to 2230 mm using the push-button locking system and clamping screw. Braced folding legs provide a 1150 mm base spread when fully opened. The maximum load is 50 kg with the load centred on a horizontal surface and no lateral forces such as wind or shocks. Open the legs until the braces are horizontal, secure both the locking pin and clamping screw, and use two suitably capable people to mount and raise a loudspeaker. Do not move the stand while loaded.

The K&M 260/1 is a black straight microphone stand for vocals, presentations and speech. Its 250 mm cast-iron round base keeps the floor footprint compact, while a rubber insert helps reduce transmitted impact noise. Adjust the steel upright from 870 to 1575 mm with the twist clutch and fit a microphone holder with a matching 3/8-inch thread. Use on a level, load-bearing surface, away from wind and accidental contact. Maximum microphone load: 1 kg.

The K&M 210/2 is a black steel microphone stand for vocals, instruments and speech. Its 800 mm one-piece boom lets you position a microphone away from the upright, with a T-bar screw to secure the boom and a twist clutch for height adjustment from 900 to 1605 mm. The native 3/8-inch thread accepts a matching microphone holder. Folding tripod legs and a zinc die-cast base make it practical for stage and studio setups. Position the boom over a leg and use the stand on a level, load-bearing surface, protected from wind and accidental contact. Maximum microphone load: 1 kg.

Closed-back dynamic monitoring headphones in the 150-ohm HD660PRO version, with 40 mm neodymium drivers, velvet ear pads and a single-sided cable. Intended for studio, broadcast and monitoring use.

A dynamic kick-drum microphone for a strong low end and a clear beater attack, also suitable for bass cabinets. The Shure BETA 52A combines a frequency response tailored to bass instruments with a supercardioid pickup pattern to reduce unwanted sound from the sides. Use the integrated locking stand adapter to aim the microphone. Move it closer to the beater head for more attack or farther away for more resonance, keeping it clear of the drumhead and internal damping. Connect the balanced XLR output to a microphone input; no phantom power is required. This listing is for the BETA 52A microphone. A stand, cable and other accessories are not automatically included.

Compact cardioid dynamic instrument microphone for drums and percussion, also suitable for brass and woodwind. Its reinforced glass-fibre body and integral stand mount support close instrument placement.

A low-profile boundary microphone for a defined kick-drum attack and full low-frequency sound, also suitable for piano. The Shure BETA 91A has a half-cardioid pickup pattern above its mounting surface, an integrated preamplifier and a standard balanced XLR output. For kick drum, place it inside the drum on a pillow or another cushioning surface and adjust the position to balance attack and resonance. The underside contour switch offers a flat response or a low-mid cut for a more pronounced kick-drum sound. Connect it with a balanced XLR microphone cable to an input with phantom power; 48 V is recommended. This listing is for the microphone; cabling and other accessories are not automatically included.

Supercardioid electret condenser microphone for drum overheads, percussion and instrument recording. Its compact design and extended high-frequency response suit detailed transient capture.

A wired vocal microphone for singers, presenters and spoken-word events. The Shure SM58 combines a cardioid pickup pattern with a vocal-focused frequency response, a built-in pop filter and a shock-mounted dynamic capsule to reduce handling noise. Work close to the grille for a fuller vocal sound, keep the grille clear of your hand and aim the microphone away from loudspeakers. Connect its balanced XLR output to a microphone input on your mixer or audio interface; the dynamic capsule does not require phantom power. This listing is for the microphone. Add the microphone stand and cabling needed for your setup to your enquiry; accessories are not automatically included.

50 m SDI cable on a Schill reel. Confirm the connectors, impedance and required video format before booking. Compatibility with 3G-, 6G- or 12G-SDI and transmission performance over the full length are not confirmed.

150 m of single-mode 9/125 µm fibre cable with two fibres, supplied on a Schill reel. A practical cable run for optical links between compatible AV or network equipment. Rental is per complete reel, not per metre or per fibre. The reel assembly has an LP24 female socket and an LP24 male plug, both with protective caps. Keep the connections capped when not in use and handle the fibre cable without tight bends. Tell us which equipment you want to connect so we can check the required mating connections and patch leads before booking. Direct connection to standard LC ports and UPC/APC polish have not been verified. Patch leads, adapters and optical transceivers are not specified as included; arrange any required extras separately.

50 m cable on a Schill reel, labelled Cat6E. Confirm the connectors, shielding and required network performance before booking; the Cat6E label does not establish a certified cable category or bandwidth.