The Radial J48 is a mono active DI box for connecting instruments to a mixing console or microphone preamp. It runs on 48 V phantom power and provides a 6.35 mm instrument input, a thru connection for an amplifier and a balanced XLR mic-level output. A -15 dB pad accommodates hotter signals, while the 80 Hz low-cut filter, polarity reverse and ground lift help adapt the signal to the setup. The Merge switch turns the input and thru sockets into two inputs summed to one mono output; it does not provide two independent DI channels.

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4 variants available

1.5 m Schuko cable with 2.5 mm² conductors. Colour code: white.

3 m Schuko cable with 2.5 mm² conductors. Colour code: orange.

6 m Schuko cable with 2.5 mm² conductors. Colour code: green.

12 m Schuko cable with 2.5 mm² conductors. Colour code: blue.

1.5 m power cable with a Schuko plug and a TRUE1 connector.

50 m SDI cable on a Schill reel. Confirm the connectors, impedance and required video format before booking. Compatibility with 3G-, 6G- or 12G-SDI and transmission performance over the full length are not confirmed.

Compact cardioid dynamic instrument microphone for drums and percussion, also suitable for brass and woodwind. Its reinforced glass-fibre body and integral stand mount support close instrument placement.

Supercardioid electret condenser microphone for drum overheads, percussion and instrument recording. Its compact design and extended high-frequency response suit detailed transient capture.

Showtec DB-1-8/RDM (50786) DMX/RDM distributor with eight 3-pin DMX outputs, 3-pin and 5-pin input/through connections, and a 19-inch 1U housing. Confirm any required rental accessories when booking.

A dynamic kick-drum microphone for a strong low end and a clear beater attack, also suitable for bass cabinets. The Shure BETA 52A combines a frequency response tailored to bass instruments with a supercardioid pickup pattern to reduce unwanted sound from the sides. Use the integrated locking stand adapter to aim the microphone. Move it closer to the beater head for more attack or farther away for more resonance, keeping it clear of the drumhead and internal damping. Connect the balanced XLR output to a microphone input; no phantom power is required. This listing is for the BETA 52A microphone. A stand, cable and other accessories are not automatically included.