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Audio accessories
TP-Link
TL-SG105S 5-port Gigabit switch
Key features
- Power requirement
- External power adapter required. Match its voltage, polarity and connector to the actual unit label; adapter ratings vary by hardware revision. No PoE output.
Overview
Connect a small wired event network with the TP-Link TL-SG105S. Its five Gigabit Ethernet ports provide a simple, unmanaged connection between compatible computers and network equipment without a configuration interface. The fanless metal enclosure suits a desk or technical position. Count every connection: a cable to your router or another switch uses one of the five ports, leaving four for local devices. This is a non-PoE switch, not a router or Wi-Fi access point; it does not provide internet access by itself.
Specifications
Specifications
- Switch model
- TP-Link TL-SG105S; unmanaged desktop Ethernet switch
- Ethernet ports
- 5 × RJ45; 10/100/1000 Mbps auto-negotiation, Auto-MDI/MDIX
- Port planning
- Five ports total: one uplink leaves four device connections. No separate uplink socket.
- Housing and cooling
- Metal enclosure; fanless cooling; desktop or wall mounting
- Power requirement
- External power adapter required. Match its voltage, polarity and connector to the actual unit label; adapter ratings vary by hardware revision. No PoE output.
- Ethernet cabling
- Use Cat 5e or better for Gigabit Ethernet, with a maximum 100 m Ethernet link. Each device needs its own cable.
Documentation
Frequently asked questions
Does this switch provide Wi-Fi or faster internet?
Can I connect five devices and a router?
Can it power cameras or access points through Ethernet?
Can I use it with DJ or AV equipment?
What should I prepare before setup?
Which hardware revision does the manual cover?
The rental collection
Catalogue
228 items
All categories
Radial J48 active DI box
The Radial J48 is a mono active DI box for connecting instruments to a mixing console or microphone preamp. It runs on 48 V phantom power and provides a 6.35 mm instrument input, a thru connection for an amplifier and a balanced XLR mic-level output. A -15 dB pad accommodates hotter signals, while the 80 Hz low-cut filter, polarity reverse and ground lift help adapt the signal to the setup. The Merge switch turns the input and thru sockets into two inputs summed to one mono output; it does not provide two independent DI channels.
Samsung Flip Pro 55″
Choose a variant to view this product and add it to your quote.
4 variants available
Schuko 1,5m
1.5 m Schuko cable with 2.5 mm² conductors. Colour code: white.
Schuko 3m
3 m Schuko cable with 2.5 mm² conductors. Colour code: orange.
Schuko 6m
6 m Schuko cable with 2.5 mm² conductors. Colour code: green.
Schuko 12m
12 m Schuko cable with 2.5 mm² conductors. Colour code: blue.
Schuko to TRUE1 1,5m
1.5 m power cable with a Schuko plug and a TRUE1 connector.
SDI 50m on reel
50 m SDI cable on a Schill reel. Confirm the connectors, impedance and required video format before booking. Compatibility with 3G-, 6G- or 12G-SDI and transmission performance over the full length are not confirmed.
Sennheiser e 604
Compact cardioid dynamic instrument microphone for drums and percussion, also suitable for brass and woodwind. Its reinforced glass-fibre body and integral stand mount support close instrument placement.
Sennheiser e 614
Supercardioid electret condenser microphone for drum overheads, percussion and instrument recording. Its compact design and extended high-frequency response suit detailed transient capture.
Showtec DB-1-8/RDM DMX Booster
Showtec DB-1-8/RDM (50786) DMX/RDM distributor with eight 3-pin DMX outputs, 3-pin and 5-pin input/through connections, and a 19-inch 1U housing. Confirm any required rental accessories when booking.
Shure BETA 52A
A dynamic kick-drum microphone for a strong low end and a clear beater attack, also suitable for bass cabinets. The Shure BETA 52A combines a frequency response tailored to bass instruments with a supercardioid pickup pattern to reduce unwanted sound from the sides. Use the integrated locking stand adapter to aim the microphone. Move it closer to the beater head for more attack or farther away for more resonance, keeping it clear of the drumhead and internal damping. Connect the balanced XLR output to a microphone input; no phantom power is required. This listing is for the BETA 52A microphone. A stand, cable and other accessories are not automatically included.
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