Audio

A compact powered speaker for presentations, background music and small event sound. The 8-inch woofer and 1-inch compression driver are driven by a built-in 300 W RMS Class D amplifier. Two independently controlled mic/line inputs make a simple setup possible, while an XLR mono mix output can feed another powered speaker. Choose full-range operation, use it above a suitable subwoofer, or select the monitor preset for close-range monitoring. This listing is for one speaker, not a complete PA package.

Bring clear speech, music or stage monitoring to your event with this active 12-inch two-way PA speaker. Its built-in Class D amplifier provides 500 W RMS audio output, while the 90° × 50° coverage and four DSP presets support standalone, satellite and floor-monitor setups. Connect a mixer or another suitable line-level source directly; a separate power amplifier is not required. This listing is for one loudspeaker, not a complete PA system.

Add deep bass to a DJ set, live performance or event PA with this active 18-inch bass-reflex subwoofer. The built-in Class D amplifier delivers 800 W RMS, while DynX DSP provides protection and selectable low-pass presets. Combine it with suitable full-range top speakers and a line-level audio source; this listing is for one subwoofer, not a complete sound system. Plan transport and safe handling around its 42.6 kg cabinet weight.

AES50 digital stage box with 32 remotely controllable Midas microphone preamps and 16 balanced XLR outputs. Provides stage-side audio I/O with additional ULTRANET, ADAT and AES/EBU outputs.

StageConnect line-level interface with 8 balanced analogue inputs, 8 balanced analogue outputs and two ULTRANET outputs. Adds rack I/O for external processors or wireless equipment; microphones require an external preamplifier.

Compact digital rack mixer with 40 input channels and 25 mix buses. Dual AES50 ports connect external stage I/O, while Ethernet enables remote mixing control. The fitted expansion card and rental accessories are still to be confirmed.

The Midas M32R is a compact digital mixing console for live music, conferences and recording sessions. Its 16 local Midas PRO microphone preamps, eight XLR outputs and motorised faders give an experienced engineer direct control of a small stage or a larger system using a compatible AES50 stagebox. Scene recall, channel processing and eight stereo effects engines help keep repeatable shows organised.

The Radial J48 is a mono active DI box for connecting instruments to a mixing console or microphone preamp. It runs on 48 V phantom power and provides a 6.35 mm instrument input, a thru connection for an amplifier and a balanced XLR mic-level output. A -15 dB pad accommodates hotter signals, while the 80 Hz low-cut filter, polarity reverse and ground lift help adapt the signal to the setup. The Merge switch turns the input and thru sockets into two inputs summed to one mono output; it does not provide two independent DI channels.

Compact cardioid dynamic instrument microphone for drums and percussion, also suitable for brass and woodwind. Its reinforced glass-fibre body and integral stand mount support close instrument placement.

Supercardioid electret condenser microphone for drum overheads, percussion and instrument recording. Its compact design and extended high-frequency response suit detailed transient capture.

A dynamic kick-drum microphone for a strong low end and a clear beater attack, also suitable for bass cabinets. The Shure BETA 52A combines a frequency response tailored to bass instruments with a supercardioid pickup pattern to reduce unwanted sound from the sides. Use the integrated locking stand adapter to aim the microphone. Move it closer to the beater head for more attack or farther away for more resonance, keeping it clear of the drumhead and internal damping. Connect the balanced XLR output to a microphone input; no phantom power is required. This listing is for the BETA 52A microphone. A stand, cable and other accessories are not automatically included.

A low-profile boundary microphone for a defined kick-drum attack and full low-frequency sound, also suitable for piano. The Shure BETA 91A has a half-cardioid pickup pattern above its mounting surface, an integrated preamplifier and a standard balanced XLR output. For kick drum, place it inside the drum on a pillow or another cushioning surface and adjust the position to balance attack and resonance. The underside contour switch offers a flat response or a low-mid cut for a more pronounced kick-drum sound. Connect it with a balanced XLR microphone cable to an input with phantom power; 48 V is recommended. This listing is for the microphone; cabling and other accessories are not automatically included.